Hello Again

Goodness, I've been quiet on here for a while, haven't I? Sorry about that.

Protracted Death of the Online Content Sites
Meanwhile, it seems as though the world of online content writing has gone belly-up. Six months ago or so, there was paid work to be had from Ehow, Brighthub and WikioExperts, that short-lived and mysterious site which offered small sums for random articles. All these sites seem to have undergone varying degrees of radical transformation boiling down to the fact that they no longer pay for articles or, if they do, not for articles from me.

The revenue sites haven't died, as such, but Suite 101, for example, is not a happy bunny.

Return to Blogging

The answer, in as far as there is one, seems to be a return to blogging. Hi :) Giving content sites rights over your work and a large percentage of any income you make from it seems somewhat pointless when you begin to suspect you have as much chance of attracting as many views as they do to your own little blog - not because you attract so many as that they... also blogging offers the pleasures of experiment and doing things the way you want rather than conforming to a set formula, and that suits me very well.

News from the Gardens of Lucullus
Meanwhile, my little classics site, The Gardens of Lucullus has lately acquired a growing online library of links to Latin texts and accompanying English translations, with an emphasis on sourcing fresh contemporary translations rather than the stilted and censored old stuff that is such an excellent advertisement for reading in the original. Have a look, here (if you're interested in Latin Literature, that is).

Right, that's about all I have to say for myself here for now. I'll try not to leave it so long, next time.

Pyramus and Thisbe

Pyramus and Thisbe is my latest offering on Hubpages. This tragic love story intrigues me. Found in Book 4 of Ovid's Metamorphoses, it does not actually appear to be a myth as such but rather a popular tale emanating from the Near East ( it is set in Babylon). It doesn't deal with gods or heroes but with  the love of an ordinary boy and  girl who live next door to each other, in a terraced street. This essentially familiar urban setting reminds us that the kind of crowded civic life we associate with modernity was already ancient by Ovid's time.

Very much part of the same sentimental tradition as Romeo and Juliet, or the Greek Romance novels, popular in the Roman Empire, it invites the reader or listener to sympathetically weigh the powerful emotions of lovelorn adolescents against the rights of parents (especially fathers) to make decisions about their children's marriages.

How did the mostly patriarchal Romans feel about these stories privileging sentiment over prudence? How did they feel about their sons and daughters immersing themselves in such tales? It is tempting to wonder whether they ever played a role in softening the attitude of a stern parent or strengthening the resolve of a stubborn teenager. Of course, there is no word of blame in Ovid, for the parents of Pyramus and Thisbe. The couple are perhaps only tragic because the gods cursed them with a love that was not fated to be fulfilled in marriage; the Metamorphoses is littered with many other such unlucky loves.

In writing news, Suite 101 seems to be picking up a little after months in the post-Panda doldrums. For some I believe the improvements have been dramatic; so far for me they have been modest but notable. I feel motivated to started getting more articles in and have one in the pipeline on ancient pantomime, which I hope to have out in the next few days.

Ehow, I'm finding less lucrative at the moment, with a preponderance of titles demanding very specific and technical knowledge to write successfully, however I check back hopefully now and then.

Writing for Bright Hub

Recently, I started writing for Bright Hub on the Books channel. Bright Hub can seem initially somewhat confusing  to the prospective writer, as you have the options of applying to join a variety of different channels, which operate in different ways. A simplified way of understanding Bright Hub would be to see it as a combination of an upfront payment site like EHow and a self-publish, revenue-sharing community like Hub Pages or Suite 101.

Like EHow, Bright Hub editorial channels offer a $15 upfront payment for accepted articles. You do however have to work somewhat harder for your money - the minimum wordcount is  higher and you are not writing according to a pre-determined formula. This does mean however that writing for Bright Hub can be more enjoyable and stimulating. There are also requirements with regard to formatting the article and  improving SEO that seem initially fiddly and confusing, but, no doubt, become second nature, in time.

Articles written for the editorially managed channels are subject to detailed editing, before approval. There seems to be a much greater level of personal communication with editorial staff at Bright Hub, than with EHow, which does help to foster a feeling of greater professionalism as well as of being supported.

Articles are either picked by the writer from an approved list or you can suggest an article title to an editor to be approved (something I have yet to try). The self publish channels allow you to create your own article titles to write.

I actually got a lucky break, in that I applied and was accepted to the Books Channel when it was a self publish channel, only for it then to be taken over as an editorially managed channel,  offering me the chance to make some ready cash and thus the incentive to write!

Only the editorially managed channels attract upfront payments; the others just acrue revenue, in the manner of Hub Pages or Suite 101. A nice extra is that the editorially managed articles also yield revenue for the author, in addition to the upfront payment. This obviously makes sense from the point of view of the site, as it gives writers an incentive to actively promote their own articles on Facebook etc, whereas with EHow for example, there is no incentive to give your article another thought, once it has been successfully published.

So far, for Brighthub, I have written an article on critical responses to A Streetcar Named Desire, which actually constituted my introduction to that play, which I thought very powerful, dark and brilliant so I am glad I was thus prompted to not only read, but reflect on it. 

I've also written two interrelated articles on wise and sophisticated young adult (childrens?) novel Walk Two Moons.